Werner Herzog: Encounters in the Natural World [Blu-ray]

• 4-Disc Box Set
• UK Import
• Blu-ray
• Region-Free

ENCOUNTERS AT THE END OF THE WORLD - DVD MovieJust about anywhere Werner Herzog goes becomes an interesting place, in part because the director shapes it with his distinctively sardonic eye. In Encounters at the End of the World, the 'Zog heads off to Antarctica, finding there a population of unusual people, hallucinatory underwater life, and penguins. He doesn't appear on camera, but the unmistakably Teutonic Herzog voice is very much with us all the time, a baleful tour guide for this blank destination. In the human outposts of Antarctica, Herzog finds the kind of people you might expect would gravitate to the edge of existence--the curious, the oddball, the wanderers who've run out of other places to explore. He finds some deadpan hilarity, especially in filming a communication drill involving people practicing bli! zzard conditions (they wear buckets over their heads while roped together). The underwater photography (a realm previously explored in Herzog's The Wild Blue Yonder) is by Henry Kaiser, and it meshes perfectly with the director's interest in alien eye-scapes. And when Herzog finally does find penguins, his imagination goes to the idea that some penguins go insane, scurrying off into their own suicidal directions. This isn't as arresting a film as Grizzly Man, but it is an entertaining travelogue spiked with quirky observations. --Robert HortonIn the most hostile, barren, alien environment on the planet...you meet the most interesting people. Welcome to Antarctica - like you've never experienced it. You've seen the extraordinary marine life, the retreating glaciers and, of course, the penguins, but leave it to award-winning, iconoclastic filmmaker Werner Herzog (Grizzly Man, Rescue Dawn) to be the first to explore the South Pole's most fascinating inhabi! tants...humans. In this one-of-kind documentary, Herzog turns ! his came ra on a group of remarkable individuals, "professional dreamers" who work, play and struggle to survive in a harsh landscape of mesmerizing, otherworldly beauty - perhaps the last frontier on earth.Just about anywhere Werner Herzog goes becomes an interesting place, in part because the director shapes it with his distinctively sardonic eye. In Encounters at the End of the World, the 'Zog heads off to Antarctica, finding there a population of unusual people, hallucinatory underwater life, and penguins. He doesn't appear on camera, but the unmistakably Teutonic Herzog voice is very much with us all the time, a baleful tour guide for this blank destination. In the human outposts of Antarctica, Herzog finds the kind of people you might expect would gravitate to the edge of existence--the curious, the oddball, the wanderers who've run out of other places to explore. He finds some deadpan hilarity, especially in filming a communication drill involving people practicing bliz! zard conditions (they wear buckets over their heads while roped together). The underwater photography (a realm previously explored in Herzog's The Wild Blue Yonder) is by Henry Kaiser, and it meshes perfectly with the director's interest in alien eye-scapes. And when Herzog finally does find penguins, his imagination goes to the idea that some penguins go insane, scurrying off into their own suicidal directions. This isn't as arresting a film as Grizzly Man, but it is an entertaining travelogue spiked with quirky observations. --Robert HortonThis collection highlights the eclectic career of German Filmmaker Werner Herzog. Includes "The Enigma of Kaspar Hauser," Even Dwarfs Started Small," "Fata Morgana & Lessons of Darkness," "Heart of Glass," "Strozsek" and "Little Dieter Needs to Fly."Encounters in the Natural World brings together five stunning films from legendary filmmaker Werner Herzog. Featuring breathtaking scenery and wildlife from around the w! orld - from the sun-kissed frozen expanses of Antarctica, to p! ristine South American rain forest, and grizzly bears is Alaska - these films explore the planet s alluring beauty and man s relationship with it. Encounters at the End of the World: Herzog ventures into the beautiful polar landscape of Antarctica, discovering the astonishing wildlife living there and gaining rare access to the unique hidden society of scientists who call this place home. Grizzly Man: The acclaimed portrait of Timothy Treadwell, a charismatic bear enthusiast who lived amongst these great creatures in remote parts of Alaska for thirteen summers, before succumbing to their ferocious nature. The White Diamond: The visually stunning story of Graham Dorrington s quest to fly a custom-built airship over the rain forest canopies of Guyana. La Soufrière: As a volcano is about to erupt on the island of Guadaloupe, all inhabitants flee for their lives, apart from one man who refuses to leave and accepts his fate at the hands of nature. The Flying Doctors of East Africa: Herz! og s examination of the flying doctors service of the African Medicinal Research Foundation, and the people who devote their lives to it.

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BagHead

• EACH COPY IS SIGNED AND DATED by Author/Illustrator
• Independently Published
• For ages 3-8

From the author of Good Night, Monkey Boy, the hilarious tale of a haircut gone awry!
One day Josh had a big, brown bag idea: to wear a paper bag over his head. He thought it was a good idea. His mother did not. Neither did his bus driver, his teacher, or his soccer coach. What could Josh possibly be hiding?
A surprise ending will keep kids gigglingâ€"and from taking haircuts into their own hands!


From the Hardcover edition.While the Duplass Brothers were shooting their last feature film The Puffy Chair, a crew member raised the question "what's the scariest thing you can think of?" Someone immediately said "a guy with a bag on his head staring into your window." Some agreed, but some thought it was downright ridiculous and, if anything, funny (but d! efinitely not scary). Thus, Baghead was born, an attempt to take the absurdly low-concept idea of a "guy with a bag on his head" and make a funny, truthful, endearing film that, maybe, just maybe, was a little bit scary, too.

In their indie sensation The Puffy Chair, writer/directors Mark and Jay Duplass used the retrieval of a piece of furniture to explore the relationship between a close-knit trio. Their studio follow-up represents something both fresh and familiar. Not to be confused with the children's book of the same name, Baghead retains their emphasis on character over plot mechanics, but this time they infuse their humorous approach with horror overtones. Matt (Ross Partridge), Chad (Steve Zissis), Catherine (Elise Muller), and Michelle (Greta Gerwig, who appears with Mark Duplass in Hannah Takes the Stairs) work as extras in Los Angeles. Matt convinces them to accompany him to his family cabin to write a script in which they a! ll get to star. As they collaborate, it becomes apparent that ! Chad has eyes for Michelle and that Matt and Catherine have been an on-and-off thing for years. The screenplay becomes an excuse to organize their personal and professional lives, until Michelle spots a man with a brown paper bag on his head skulking in the woods. Is he a manifestation of the emotions roiling between the quartet, a psychotic killer, or a friend playing a cruel trick? Baghead turns into a frisky take on The Blair Witch Project, except the Duplass Brothers have more than thrills in mind, since it takes a spooky dude to remind these self-absorbed actors about the importance of friendship. The concept may be slight and the execution rudimentary, but the makers of Baghead have devised an unexpectedly poignant romp. --Kathleen C. Fennessy

Amazon.com
What does one make of a movie whose plot revolves around second-rate actors who scare each other by wearing bags on their heads? This conundrum and more are exploited to stro! ng effect by young directing team Mark and Jay Duplass, in their low-budget, grade Z cult comedy, Baghead. This follow up to their debut effort, The Puffy Chair, stars two couples who head to their parents’ cabin in an attempt to make their own horror film free from the constraints of the film industry. Brothers, Matt (Ross Partridge) and Chad (Steve Zissis), host bimbos Michelle (Greta Gerwig) and Catherine (Elise Muller) on a weekend adventure that is less than intellectually stimulating. As sexual tensions increase, brown paper bags are busted out and the characters seek revenge upon each other by pretending to be masked peeping toms. This meta-narrative of a movie about the making of the movie is further confused when the bunch suspects that there is an extra baghead on the scene, a really psychotic one. A few actually scary moments add gusto to this film that mostly feels like a po’ man’s rendition of Blair Witch Project, with its hand-held c! amera stylings. Highlights throughout involve Chad, the nerdie! r, uglie r brother who manages many funny lines and boosts the humor bigtime. That Baghead is a fairly terrible film, with slow, moronic dialogue and long scenes in which little or nothing happens, may well be intentional. It’s impossible to judge. Baghead is so ripe with irony that it bags the idea that it’s cool to strive towards making a fine film, and the story gives up on trying to be good before it even tries. The characters start washed-up and stay washed-up, as does the movie. But this strange resignation that makes Baghead awful is also what makes it conceptually unique; the Duplass brothers did, after all, complete the film and release it. One wonders why directors bother making a movie that presumes itself worthy of wearing a baghead? This is Baghead’s virtueâ€"it left me feeling as if I had a bag over my head, dumb for missing some bit of subversive genius. --Trinie Dalton

---

Filmmakers Mark a! nd Jay Duplass have written a celebrity blog for us to promote their new film, Baghead.

Why the hell are we trying to make a horror film about a guy with a paper bag on his head? This, even more than “to be or not to be” was the question for myself and my brother Jay going into shooting Baghead. We had just come off of our first micro-budget feature The Puffy Chair, a sensitive, funny, quirky relationship movie that wowed Sundance, sold big, played incredibly well in theaters, DVD, and TV, and gained us favor in the indie world the world over. So, again, why would we be so stupid as to make a horror movie based around a guy with a bag on his head?

I’m still not quite sure. When I look back, what we shoul! d have done is clear… we should have made another relationsh! ip movie to cash in on Puffy’s success. But, we were compelled to make Baghead, so we did it. And then something really interesting happened. We discovered that we are hopelessly and helplessly ourselves on set. For example, even if something terrifying was happening in the horror plot, we couldn’t help training the camera on all of the little personal dynamics happening among the 4 lead characters, just like we did on The Puffy Chair. No matter how eerie or cool-looking our lighting got, we were infinitely more obsessed with the chubby guy whose advances were being rejected by the hottie girl.

About a week into filming, we realized we had something VERY different on our hands. We had a horror movie shell… “guy with bag on head comes to get 4 people in a cabin in the woods.” We all know this set-up, right? Not too original. But, we were making a highly sensitive relationship dramedy inside of this horror film because, in the end, that! ’s what Jay and I know how to do best and that’s what we love showing.

So, basically, we started panicking. How do you make a movie work that’s scary, funny, and (ultimately) endearing and touching as we understand the nature of our desperate, sweet, tragically flawed lead characters? The answer was… I hope we don’t @&*# it up.

On week 2, we happened to catch a glimpse of the film Saw on TV, and it became clearer to us how Baghead could be a really interesting film for this time frame in cinema. Saw is great in its own right, but it’s mean, it’s gory, and it’s not really scary. Somehow, the crazy sound design, gore, and effects, took the film further and further away from being actually scary. Whereas, with Baghead, we somehow stumbled into something genuinely frightening, with our $50,000 budget, no sound f/x, no score, no make-up… just a ridiculous paper bag and the question of “who the hell i! s under that bag?” So, we started to feel smart. Confident. ! Inspired in new ways. We even waxed philosophical about how brilliant we were to “come up with his concept” (that we totally lucked into, btw)…

On week 3, we finished the shoot and all looked at each other a little shell shocked. What did we just do? Is this movie even gonna work? Cut to a year later. We’re opening the film at the Sundance Film Festival and every buyer is calling us, making insanely inflated offers, asking us how we came up with such a brilliant, genre-smashing concept.

I guess it kinda comes down to the old adage our dad used to tell us… “I’d rather be lucky than good.”

--Mark & Jay Duplass

A little boy learns that wearing a bag on his head when he gets nervous doesn't solve the problem.

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The Celestine Theme - Instrumental Cover originally by The Celestine Prophecy

• The Seville Communion By Arturo Perez-Reverte (Hardcover)(400 pages)(1998)
• The Celestine Prophecy by James Redfield (Hardcover)(246 pages)(1993)
• The Killing Club by Marcie Walsh~The Actress From 'One Life To Live' (Hardcover)(278 pages)(2005)
• The Long Road Home by Danielle Steel (Hardcover)(1998)(397 pages)
• Fast Shipping with Free Tracking and Delivery Confirmation

You have never read a book like this before -- a book that comes along once in a lifetime to change lives forever.

In the rain forests of Peru, an ancient manuscript has been discovered. Within its pages are 9 key insights into life itself -- insights each human being is predicted to grasp sequentially; one insight, then another, as we move toward a completely spiritual culture on Earth. Drawing on ancient wisdom, it tells you how to make connections among the events happening in your life rig! ht now and lets you see what is going to happen to you in the years to come. The story it tells is a gripping one of adventure and discovery, but it is also a guidebook that has the power to crystallize your perceptions of why you are where you are in life and to direct your steps with a new energy and optimisim as you head into tomorrow.Find out for yourself why virtually everyone you know has this book, described as an "adventure in pursuit of a spiritual mystery", on their coffee table. In the tradition of Carlos Castaneda's The Teachings of Don Juan. You have never read a book like this before -- a book that comes along once in a lifetime to change lives forever.

In the rain forests of Peru, an ancient manuscript has been discovered. Within its pages are 9 key insights into life itself -- insights each human being is predicted to grasp sequentially; one insight, then another, as we move toward a completely spiritual culture on Earth. Drawing on ancient wisd! om, it tells you how to make connections among the events happ! ening in your life right now and lets you see what is going to happen to you in the years to come. The story it tells is a gripping one of adventure and discovery, but it is also a guidebook that has the power to crystallize your perceptions of why you are where you are in life and to direct your steps with a new energy and optimisim as you head into tomorrow.Find out for yourself why virtually everyone you know has this book, described as an "adventure in pursuit of a spiritual mystery", on their coffee table. In the tradition of Carlos Castaneda's The Teachings of Don Juan. You have never read a book like this before -- a book that comes along once in a lifetime to change lives forever.

In the rain forests of Peru, an ancient manuscript has been discovered. Within its pages are 9 key insights into life itself -- insights each human being is predicted to grasp sequentially; one insight, then another, as we move toward a completely spiritual culture on Earth. Drawing on! ancient wisdom, it tells you how to make connections among the events happening in your life right now and lets you see what is going to happen to you in the years to come. The story it tells is a gripping one of adventure and discovery, but it is also a guidebook that has the power to crystallize your perceptions of why you are where you are in life and to direct your steps with a new energy and optimisim as you head into tomorrow.Based on James Redfield's worldwide best-selling novel, The Celestine Prophecy is a spiritual adventure film chronicling the discovery of ancient scrolls in the rainforests of Peru. The prophecy and its nine key insights predict a worldwide awakening, arising within all religious traditions, that moves humanity toward a deeper experience of spirituality.The Celestine Prophecy is an action-adventure adaptation of the hit novel by James Redfield, a film that moves so swiftly it can be difficult at times to absorb the New Age philosop! hy tucked into Redfield's multiple, so-called Insights. Matthe! w Settle plays an American history teacher who travels to Peru to look into the discovery of an ancient manuscript that foretells the arrival of a new spirituality. The Peruvian government and Catholic church, threatened by something that might supplant traditional religion and mainstream values, harass and arrest the scientists and enlightened souls who discovered the manuscript. Our hero becomes involved in a dangerous effort to keep the document from official hands; along the way, he's introduced to the prophecy's major principles, which arouse his dormant spiritual abilities. Annabeth Gish, Hector Elizondo, and Jurgen Prochnow are a welcome presence in this light and sometimes confusing, if casually engaging work that requires repeat viewings to fully hear its interesting message. --Tom Keogh

More Celestine Prophecy on Amazon.com

Philosophy, Hollywood Style: Films for Fans of The Celestine Prophecy

The Making of The Celestine Prophecy

The Novels of James Redfield

Stills from The Celestine Prophecy (click for larger image)

THE CELESTINE MEDITATION GUIDE audiobook is a perfect companion to THE CELESTINE PROPHECY-a refreshing and relaxing introduction to meditation now available on CD. In this bestselling audiobook that has over 120,000 copies in print, Salle Redfield gives listeners an introduction to the joys of meditation.Part One is aimed at connecting you with your higher self and begins with physical relaxation exercises and moves into a guided mental journey through an old growth forest.It c! orresponds to the 5th Insight and leaves the listener with a sense of renewed peace. Part Two is a meditation for personal healing and healing of the planet.It focuses on our physical and mental energies and uses light images to project love and wellness to the community around us.A hacker cracks Vatican security and sends an urgent plea directly to the Pope: Save Our Lady of the Tears. The crumbling Baroque church, located in the heart of Seville, is slated for demolition, and two of its defenders have recently died. Accidents - or murders?/The Killing Club by Marcie Walsh~Based on a storyline from ABC's "One Life to Live," this "New York Times" bestseller finds spunky detective Jamie Ferrara out to make a name for herself. When a dear old friend dies in a grotesque holiday accident, Jamie is pulled back to her small New Jersey hometown, and to the friends and secrets she left behind./The Long Road Home by Danielle Steel~Young Gabriella Harrison knows nothing but pain at t! he hands of her monstrously abusive mother until her father ab! andons t he family, and Gabbie is sent to be raised in a convent. There Gabbie learns about love from the sisters, and even decides to join the order herself--but her plans are short-lived./The Celestine Prophecy by James Redfield~First-time author James Redfield carries the reader through a quest that begins when the main character decides to follow the exciting trail of a mysterious manuscript rumored to exist somewhere in the jungles of Peru. As his characters go through a series of intense adventures, involving travel through physically and politically dangerous turf, the author gradually introduces nine potentially universe-altering principles, or "insights," starting with the power of coincidence and its meaning to the modern world. Vivid characterizations and stunning experiences drive the ideas home and make the improbable seem likely to show up just around the next corner.

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District B13/District 13: Ultimatum 2-Pack [Blu-ray]

• District B13Brought to you by the producer of Transporter, Transporter II, Ong-Bak, The Professional and La Femme Nikita. Paris, 2010. An isolation wall surrounds the ghetto cities of District B13. Within these walls, without effective law enforcement, gang rule is absolute. Damien is a member of an elite police squadron highly trained in martial arts. He goes undercover to infiltrate a gang in or

With bone crunching fights and death defying leaps, this adrenaline charged follow-up takes the groundbreaking parkour action from DISTRICT B13 to thrilling new heights. (Fangoria) Two years have passed since elite police officer Damien Tomasso (Cyril Raffaelli) teamed up with reformed vigilante Leito (David Belle) to save the notorious District 13, a racially charged ghetto populated by violent drug dealing gangs and vicious killers. Despite government promises to maintain order, the state of the d! istrict has deteriorated. A group of corrupt cops and elected officials conspire to cash in on the redevelopment of the district by proposing its destruction under nuclear air strike. Damian and Leito must join forces again, using their martial arts and unique physical skills, to bring peace to the neighborhood by any means necessary.

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Horton Hears A Who!

• ISBN13: 9780394800783
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

One of Dr. Seuss' most beloved stories roars to life as never before in this enormous animated adventure that proves "a person's a person no matter how small."

A playful pachyderm named Horton becomes a reluctant hero when he discovers the microscopic city of Who-ville on a floating speck of dust and embarks on a hilarious adventure to save the town from the dangers of the jungle. Featuring a who's who of superstar voice talent, including Jim Carrey, Steve Carell and Carol Burnett, this heartwarming hit comedy delivers loads of laughs and tons of fun for the whole family!Dr. Seuss's classic 1954 book Horton Hears a Who has entertained generations of children and served as the inspiration fo! r a 26-minute, 1970 television special Dr. Seuss's Horton Hears a Who and the 2000 Broadway musical Seussical: The Musical. This 2008, full-length animated movie features the voice talents of Jim Carrey as Horton, Steve Carrell as the Mayor of Whoville, Carol Burnett as the Kangaroo, and Jesse McCartney as JoJo and promises to delight a whole new generation of children and their parents and grandparents. The technological wonders of computer animation have allowed 20th Century Fox Animation to bring to life the wacky, colorful Whoville with its minute inhabitants and the lush Jungle of Nool with its host of distinctive animals and the result is a rich, fantastical world of wonder worthy of Dr. Seuss' own imagination. All the major plot elements of Dr. Seuss' book are present, with Horton hearing the faint cry for help from a tiny dust speck atop a small clover and doing his best to protect the inhabitants of that small civilization of Whoville despite the disb! elief, disdain, and persecution of his fellow animals. The fee! l of Dr. Seuss' original rhyming prose is partially preserved in the sparse narration by Charles Osgood that's interspersed throughout the film's dialogue and the overarching themes of staying true to one's convictions and the celebration of the power of perseverance, imagination, and kindness come through loud and clear. Horton Hears a Who is a fun rendering of a classic Dr. Seuss story that's sure to entertain viewers of all ages. --Tami Horiuchi

Beyond Horton Hears a Who ! on DVD

Nim’s Island on DVD

Alvin and the Chipmunks on DVD

Mr. Magorium’s Wonder Emporium on DVD

Stills from Horton Hears a Who! (Click for larger image)

Horton, the lovable elephant, tries to protect tiny creatures on a speck of dust. An easy reader with delightful verse and pictures.  Surely among the most lovable of all Dr. Seuss creations, Horton the Elephant represents kindness, trustworthiness, and perseverance--all wrapped up, thank goodness, in a comical and even absurd package. Horton hears a cry for help from a speck of dust, and spends much of the book trying to protect the infinitesimal creatures who live on it from ! the derision and trickery of other animals, who think their elephant friend has gone quite nutty. But worse is in store: an eagle carries away the clover in which Horton has placed the life-bearing speck, and "let that small clover drop somewhere inside / of a great patch of clovers a hundred miles wide!" Horton wins in the end, after persuading the "Who's" to make as much noise as possible and prove their existence. This classic is not only fun, but a great way to introduce thoughtful children to essentially philosophical questions. How, after all, are we so sure there aren't invisible civilizations floating by on every mote? (Ages 4 to 8) --Richard Farr

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Gosford Park [Blu-ray]

• Format: AC-3, Color, DTS Surround Sound, Dubbed, Widescreen, Import
• Language: English, French
• Aspect Ratio: 1.85:1
• Run Time: 137 minutes
• Actors: Kristin Scott Thomas, Maggie Smith, Michael Gambon

The Academy Award winner for Best Original Screenplay, Gosford Park is a whodunit as only director Robert Altman could do it. As a hunting party gathers at the country estate, no one is aware that before the weekend is over, someone will be murdered - twice! The police are baffled but the all-seeing, all-hearing servants know that almost everyone had a motive. This critically-acclaimed murder mystery features a who's who of celebrated actors. With a diverse cast of characters - all with something to hide - it'll keep you guessing right to the surprising end. Gosford Park proves that murder can be such an inconvenience.Gosford Park finds director Robert Altma! n in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly. Aristocrats gather together for a weekend shooting party with their dutiful servants in tow, and the upstairs/downstairs division of the classes is perfectly tailored to Altman's method (as employed in Nashville and Short Cuts) of overlapping bits of dialogue and numerous subplots in order to betray underlying motives and the sins that propel them. Greed, vengeance, snobbery, and lust stir comic unrest as the near dizzying effect of brisk script turns is allayed by perhaps Altman's strongest ensemble to date. First and foremost, Maggie Smith is marvelous as Constance, a dependent countess with a quip for every occasion; Michael Gambon, as the ill-fated host, Sir William McCordle, is one of the most palpably salacious characters ever on screen; K! ristin Scott Thomas is perfectly cold yet sexy as Lady Sylvia,! Sir Wil liam's wife; and Helen Mirren, Emily Watson, and Clive Owen are equally memorable as key characters from the bustling servants' quarters below. Gosford Park manages to be fabulously entertaining while exposing human shortcomings, compromises, and our endless need for confession. --Fionn MeadeImport Blu-Ray/Region A Pressing... The Academy Award winner for Best Original Screenplay, Gosford Park is a whodunit as only director Robert Altman could do it. As a hunting party gathers at the country estate, no one is aware that before the weekend is over, someone will be murdered - twice! The police are baffled but the all-seeing, all-hearing servants know that almost everyone had a motive. This critically-acclaimed murder mystery features a who's who of celebrated actors. With a diverse cast of characters - all with something to hide - it'll keep you guessing right to the surprising end. Gosford Park proves that murder can be such an inconvenience.Gosford Park ! finds director Robert Altman in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly. Aristocrats gather together for a weekend shooting party with their dutiful servants in tow, and the upstairs/downstairs division of the classes is perfectly tailored to Altman's method (as employed in Nashville and Short Cuts) of overlapping bits of dialogue and numerous subplots in order to betray underlying motives and the sins that propel them. Greed, vengeance, snobbery, and lust stir comic unrest as the near dizzying effect of brisk script turns is allayed by perhaps Altman's strongest ensemble to date. First and foremost, Maggie Smith is marvelous as Constance, a dependent countess with a quip for every occasion; Michael Gambon, as the ill-fated host, Sir William McCordle, is one of the most palpably salacious c! haracters ever on screen; Kristin Scott Thomas is perfectly co! ld yet s exy as Lady Sylvia, Sir William's wife; and Helen Mirren, Emily Watson, and Clive Owen are equally memorable as key characters from the bustling servants' quarters below. Gosford Park manages to be fabulously entertaining while exposing human shortcomings, compromises, and our endless need for confession. --Fionn Meade

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Journey to the End of the Night

• ISBN13: 9780811216548
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Ask the Dust is a virtuoso performance by an influential master of the twentieth-century American novel. It is the story of Arturo Bandini, a young writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer's life he fought so hard to attain.

This book is another sterling recommendation from the Saltzman workshop. The under-appreciated Fante's second outing details the adventures of his alterego, Arturo Bandini! , as the struggling young writer tackles Los Angeles in the late 1930s. And take it from personal experience, tackling L.A. as a destitute young scribe some decades later isn't much different. In other words: Fante gets it right and sets it down in his Chianti-steak-and-potatoes style, with prose both simple and rich. This Black Sparrow edition has a bonus: Charles Bukowski's great preface on how Fante stacks up against writers that were at once more famous--and far more anemic.Colin Farrell is Arturo Bandini, a young would-be writer who comes to Depression-era Los Angeles to make a name for himself. While there, he meets beautiful barmaid Camilla (Salma Hayek), a Mexican immigrant who hopes for a better life by marrying a wealthy American. Both are trying to escape the stigma of their ethnicity in blue-blood California. The passion that arises between them is palpable â€" if they could only set aside their ambitions and submit to it. Oscar-winning screenwriter Ro! bert Towne (Chinatown) directs this outcasts’ tale of desire! in the desert, co-starring Donald Sutherland (Pride and Prejudice).Adapted from the acclaimed 1939 novel by John Fante, Ask the Dust represents a 30-year labor of love for Robert Towne, the Oscar®-winning screenwriter of Chinatown. It's easy to see why Towne was drawn to Fante's classic tale of ill-fated romance in Depression-era Los Angeles: It's a tenacious, hard-scrabble valentine to Towne's beloved city, to the lonely craft of writing, and to the elusive whims of love. Towne must have been inspired by the challenge of capturing the inner life and outer environs of Fante's literary hero, struggling writer Aturo Bandini (played by Colin Farrell), as he arrives in L.A. circa 1932, sells occasional stories to legendary American Mercury editor H.L. Mencken (heard only in voice-overs provided by film critic Richard Schickel), lives in the seedy Alta Loma hotel in the dusty neighborhood of Bunker Hill (where a fellow resident is played by Donald Sutherland), and falls i! nto a stormy relationship with Camilla (Salma Hayek), a Mexican waitress who shares Bandini's immigrant dreams for a better life in sunny California. There are good times and bad in this passionately combative romance (and Hayek has never been more sensuously appealing onscreen), and Towne has done a perfect job of capturing an arid combination of hope, depression, and artistic ambition, working in fruitful collaboration with celebrated cinematographer Caleb Deschanel (The Black Stallion) on meticulously authentic Depression-era sets built on location (of all places) in South Africa. Ask the Dust never fully succeeds as an emotionally involving drama (the lives of writers are notoriously difficult to translate to film), but there's something undeniably seductive about this curious and great-looking film... and we're not just talking about Farrell and Hayek cavorting naked in the ocean. Even that memorable scene is infused with the threat of broken dreams, as i! f Towne were reminding us (and himself) that nothing good come! s withou t sacrifice.--Jeff Shannon

I had a lot of jobs in Los Angeles Harbor because our family was poor and my father was dead. My first job was ditchdigging a short time after I graduated from high school. Every night I couldn’t sleep from the pain in my back. We were digging an excavation in an empty lot, there wasn’t any shade, the sun came straight from a cloudless sky, and I was down in that hole digging with two huskies who dug with a love for it, always laughing and telling jokes, laughing and smoking bitter tobacco.

The dark side of On the Road: instead of seeking kicks, the French narrator travels the globe to find an ever deeper disgust for life.

Louis-Ferdinand Celine's revulsion and anger at what he considered the idiocy and hypocrisy of society explodes from nearly every page of this novel. Filled with slang and obscenities and written in raw, colloquial langu! age, Journey to the End of the Night is a literary symphony of violence, cruelty and obscene nihilism. This book shocked most critics when it was first published in France in 1932, but quickly became a success with the reading public in Europe, and later in America where it was first published by New Directions in 1952. The story of the improbable yet convincingly described travels of the petit-bourgeois (and largely autobiographical) antihero, Bardamu, from the trenches of World War I, to the African jungle, to New York and Detroit, and finally to life as a failed doctor in Paris, takes the readers by the scruff and hurtles them toward the novel's inevitable, sad conclusion.When it was published in 1932, this then-shocking and revolutionary first fiction redefined the art of the novel with its b! lack humor, its nihilism, and its irreverent, explosive writin! g style , and made Louis-Ferdinand Celine one of France's--and literature's--most important 20th-Century writers. The picaresque adventures of Bardamu, the sarcastic and brilliant antihero of Journey to the End of the Night move from the battlefields of World War I (complete with buffoonish officers and cowardly soldiers), to French West Africa, the United States, and back to France in a style of prose that's lyrical, hallucinatory, and hilariously scathing toward nearly everybody and everything. Yet, beneath it all one can detect a gentle core of idealism.

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Friday the 13th (Extended Killer Cut)

• A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky

Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bo! ttom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpet! a) is pretty funny. You might even regret the slaughter of a c! ouple of these young folk, which is an unusual feeling in Friday-watching. The film's Jason is quite the athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? Th! e longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

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