Basic

• DVD

Charlotte Cory (Connie Nielsen) is a convicted murderer spending her final days on Death Row. Her hopes and dreams are as lifeless as the grey walls that imprison her, until the letters of a stranger, Frank Nitzche (Aiden Quinn), awakens passion in her she thought had died long ago. While her attorney (Kelly Preston) desperately tries to appeal the verdict, Frank realizes he has fallen in love with Charlotte, and discovers that there are untold secrets behind the tragic circumstances of her imprisonment. Her life is in his hands as Frank races to find the truth that can save Charlotte before it's too late.The most fearless film yet by France's idiosyncratic Olivier Assayas (Irma Vep) is an unholy marriage of ruthless corporate thriller and sinister science fiction. Connie Nielsen is the American "ice princess" in a French multination, an ambitious executive whose betrayals and inva! sive tactics would make her a villain in any other film. Here she's just a pawn in a shadowy conspiracy that may involve contemptuous new assistant Chloe Sevigny and fellow dealmaker Charles Berling and takes her from the legal (if unsavory) commerce of Japanese Internet porn to the brutal market of underground pornography. Assayas directs his modern corporate nightmare with a voyeuristic style, a hard eye for disturbing images, and more passion than explanation. It isn't his most audience-friendly film, but his portrait of international commerce and image culture in the 21st century is impassioned and haunting--cinema for viewers hungry for ambitious and provocative filmmaking. --Sean AxmakerICE HARVEST - DVD MovieHoliday movies don’t get much darker, or more darkly humorous, than The Ice Harvest, an offbeat comedy that defies expectations. The involvement of director Harold Ramis might lead some to expect a straight-up comedy like Groundhog Day or Analyze This, but despite Ramis’s fine and atypically ! subdued work here, it’s the writers (Robert Benton and Richard Russo) who put a stronger stamp on their adaptation of the novel by Scott Phillips. Benton and Russo previously collaborated on Nobody’s Fool and Twilight (with Benton also directing), and those films are similar in tone and spirit to this quirky, modern-day film noir, set on a freezing Christmas Eve in Wichita, Kansas, where mob lawyer Charlie Arglist (John Cusack) has a lot on his mind. He’s just stolen $2 million from his boss (Randy Quaid), he can’t trust his partner Vic (Billy Bob Thornton), he’s secretly in love with the manager (Connie Nielsen) of the strip bar he owns, and his best friend (Oliver Platt, giving yet another terrific performance) is married to his ex-wife. Before the night’s over, several murders will complicate matters even further, and throughout it all, The Ice Harvest is anchored by Cusack’s good-natured presence in a bad-natured story that dares to combine dou! ble-crosses and bloodshed with elusive yuletide cheer. It’s a strange but oddly appealing combination, not for all tastes but refreshing for that very same reason. --Jeff ShannonINNOCENTS - DVD MovieBROTHERS - DVD MovieBASIC - DVD MovieIf you thought The Recruit was full of surprises, Basic will spin your head around. Assuming that cleverness is its own reward, this military mystery shares many of The Recruit's strengths and weaknesses, offering multi-layered deception as its dramatic raison d'etre. Copping plenty of machismo attitude befitting a semi-effective thriller from Die Hard director John McTiernan, John Travolta stars as an ex-Army Ranger-turned-DEA agent, recruited by an Army investigator (Connie Nielsen) to solve the fratricide of a reviled Sergeant (Samuel L. Jackson) who was allegedly killed while commanding a Special Forces training mission in the hurricane-swept rainforests of Panama. Two survivors (Giovanni! Ribisi in a showboat role, and Brian Van Holt) recall the ill! -fated m ission as the truth unfolds, Rashomon-style, in a series of repetitive flashbacks. Tricky enough to hold one's attention as it grows increasingly irrelevant, Basic is so enamored of its bogus ingenuity that its ultimate twist is a letdown. A second viewing might prove rewarding, if only to confirm that it all holds together. --Jeff Shannon

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