Edmond

• A man (Macy) becomes involved in a twisted game of sex, lies and murder with 3 young women (Denise Richards, Mena Suvari, Julia Stiles). It s a first rate thriller from the legendary David Mamet. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 855280001700 UPC: 855280001700 Manufacturer No: FI0169DVD

A man (Macy) becomes involved in a twisted game of sex, lies and murder with 3 young women (Denise Richards, Mena Suvari, Julia Stiles). It’s a first rate thriller from the legendary David Mamet.William H. Macy, a longtime collaborator of David Mamet, takes on one of Mamet's biggest, ugliest creations in the title role of Edmond. Edmond drops out of his ordinary life after a chance encounter with a fortune-teller, and cruises through a New York inferno that leads to murder. It also leads to a great deal of the clipped, counter-punching dialogue that Mamet is famous for, al! though at times the film plays like a monologue interrupted by peripheral blips on Edmond's skewed radar. Mamet's subject is the frenzied reaction of the modern male to the narrowing of his domain, a crisis that drives Edmond to the familiar touchstones of bar, peep show, and whorehouse, none of which provide the solace he thinks they should. The 2005 film is based on Mamet's 1982 play, and somehow the picture might have had more pop if it had been filmed closer to that time, when panicked masculinity was a fresher subject. And the text is a kind of dark, horrific fable that probably worked better in the stylized realm of the stage than on film. Stuart Gordon directs with a blunt forward motion that foregrounds the most unsavory aspects of the material (fans of his Re-Animator should note the presence of Jeffrey Combs as a snotty hotel clerk). Except for Macy, cast members come and go in the episodic flow, some of them (Joe Mantegna and Rebecca Pidgeon) identified wi! th Mamet's work. Julia Stiles plays the unfortunate waitress w! ho falls into Edmond's path, and Bai Ling, Denise Richards, and Mena Suvari are women of the night who want to charge Edmond too much money. But it's Macy's show, and he mercilessly gets inside Edmond's bad self: a monster of entitlement and self-delusion, given to epiphanies that lead nowhere except his own ego. --Robert Horton

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Tracey Takes On... Complete Seasons 3 & 4

• TRACY TAKES ON (DVD MOVIE)

When hair stylist Peaches (Mo'Nique) arrives in Beverly Hills to get reacquainted with her sister, Angela (Kellita Smith of "The Bernie Mac Show"), sparks fly! Angela finds out Peaches owes $50,000 in back taxes and is on the run. So the two sisters join forces to fight off a pesky rival salon owner in a show-stopping competition to win a cash prize for Peaches and bragging rights at the city's annual hair show.Hair Show is a lively and funny ensemble comedy set in the busy, high-pressure milieu of an upscale hair salon. As in Barbershop or Empire Records, a handful of idiosyncratic characters share the shop's load but are individually defined by peculiar obsessions or circumstances. Jun Ni (Keiko Agena), for instance, just wants to learn to cook for the husband who adores her yet who is starving because of her failures in the kitchen. Peaches (! Mo'Nique) is trying to save her bacon from the IRS agents hounding her for $50,000 in back taxes. At the center of the story is Peaches' rivalrous relationship with sister Angela (Kellita Smith), who took a sizable inheritance from her late grandmother (Peaches got no cash from Grandma's will) and built the salon in which brassy Peaches might be the most talented stylist. Crisply directed by Leslie Small and co-produced by Magic Johnson, Hair Show is lightly but genuinely rewarding. --Tom KeoghThe Salon stars Vivica A. Fox (Jenny) as the inheritor of a neighborhood beauty salon. Jenny is being forced to sell her shop to the Department of Water and Power (DWP) due to eminent domain. She has not told the other tenants in the salon and is trying to build a case to save the shop. The DWP is represented by a hot shot attorney (Darrin Dewitt Henson) who takes a liking to her and a romance begins. This is a fresh look on the inside of a salon where anything can happ! en.Hair Show is a lively and funny ensemble comedy set ! in the b usy, high-pressure milieu of an upscale hair salon. As in Barbershop or Empire Records, a handful of idiosyncratic characters share the shop's load but are individually defined by peculiar obsessions or circumstances. Jun Ni (Keiko Agena), for instance, just wants to learn to cook for the husband who adores her yet who is starving because of her failures in the kitchen. Peaches (Mo'Nique) is trying to save her bacon from the IRS agents hounding her for $50,000 in back taxes. At the center of the story is Peaches' rivalrous relationship with sister Angela (Kellita Smith), who took a sizable inheritance from her late grandmother (Peaches got no cash from Grandma's will) and built the salon in which brassy Peaches might be the most talented stylist. Crisply directed by Leslie Small and co-produced by Magic Johnson, Hair Show is lightly but genuinely rewarding. --Tom KeoghBrimming with the energy, passion and music that rocked a nation, Hair is an en! tertaining and powerful tribute to the turbulent spirit of the '60s. Brilliantly recreated by OscarÂ(r)-winning* director Milos Forman and screenwriter Michael Weller (Ragtime), this vibrant screen version of the Broadway phenomenon ranks "among the best film musicals" (The Hollywood Reporter)! Fresh from the farm, Claude Bukowski (John Savage, The Thin Red Line) arrives in New York City for a date with the Army Induction Board, only to walk into a hippie "happening" inCentral Park and fall in love with the beautiful Shelia (Beverly D'Angelo, American History X). Befriended by the hippies' pacifist leader, Berger (Treat Williams, Mulholland Falls), and urged to crash a formal party in order to declare his love for Shelia, Claude begins an adventure that lands him in jail, Central Park Lake and, finally, in the army. But Berger's final effort to save Claude from Vietnam sets in motion a bizarre twist of fate with shocking consequences. *1975: One Flew Over the Cuckoo's N! est; 1984: AmadeusThe Age of Aquarius is brought to life by th! e filmma ker who made Amadeus a household word. Milos Forman directed this version of James Rado, Gerome Ragni, and Galt MacDermot's landmark musical in 1979 between his Oscar-winning films One Flew Over the Cuckoo's Nest and Amadeus. With mixed reviews (Gene Siskel named it that year's best film) and lukewarm box-office grosses, the film all but disappeared from the collective consciousness. Yet the film beautifully delivers on its promise to bring the '60s back to life. Hair re-creates a colorful world of counterculture finding an anvil to pound on: the Vietnam War. Forman and his design team allow the film to wash over you, starting at the free-flowing opening in which masses of hippies, police, and even their horses eagerly groove to the familiar beat of "Aquarius." In the best work of his career, Treat Williams makes his leading- man debut as Berger, the leader of the Central Park troop who takes draftee Claude (John Savage) under his wing on his trip! through New York City and the apex of what the '60s was. The new recording of the music is quite fine, with Chicago band member Don Dacus's rendition of the title song a highlight. As Berger's pièce de résistance number says, "I've Got Life"; so does the film, right down to its poignant declaration to "let the sunshine in." --Doug ThomasChris Rock visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community in this exposé of comic proportions that only he could pull off. A raucous adventure prompted by Rock’s daughter approaching him and asking, "Daddy, how come I don’t have good hair?”, GOOD HAIR shows Chris Rock engaging in frank, funny conversations with hair-care professionals, beauty shop and barbershop patrons, and celebrities including Ice-T, Nia Long, Paul Mooney, Raven Symoné, Dr. Maya Angelou, ! Salt-N-Pepa, Eve and Reverend Al Sharpton â€" all while he str! uggles w ith the task of figuring out how to respond to his daughter's question.When one of Chris Rock's young daughters asked him an innocent question about having "good hair," the comedian probably had no idea just how complicated the answer would be. Fortunately for us, he decided to find out, and the result is this funny, informative, and highly entertaining documentary of the same name. Turns out that for a great many African-American women (and quite a few men, too), "good hair" means "white hair"--i.e., straight and lanky--while the natural or "nappy" look is bad. And oh, the lengths and expense women will go to in order to get "good hair"! In the course of the film, which was directed by Jeff Stilson and cowritten by Rock and several others, Rock first travels to Atlanta, home of the Bronner Brothers Hair Show, where thousands of folks buy and learn how to use new products (the show is also the site of the outrageous and climactic Hair Battle Royale, in which four stylists co! mpete for money and fame). It's there that he learns about sodium hydroxide, better known as hair "relaxer," the "nap antidote," or the "creamy crack" (as effective as the chemical substance is for straightening hair, it can also be highly dangerous). In Harlem and Los Angeles, he investigates the extraordinary popularity of hair weaves, which can cost tens of thousands of dollars annually to create and maintain; Rock even goes to Madras, India, source of most of the hair used in weaves (for Indian women, tonsure, or shaving their heads, is a ritual act of self-sacrifice). Along the way, Rock interviews a great many young women with fabulous hair (including actresses Nia Long, Raven-Symoné, and Kerry Washington, and rappers Salt-N-Pepa), but he also talks to the esteemed poet Maya Angelou, as well as men like rapper-actor Ice-T and the Reverend Al Sharpton. Sharpton, who is very amusing (he's referred to as "the Dalai Lama of relaxed hair"), is about the only celeb who tou! ches on racial issues, pointing out that while it's African Am! ericans who use the overwhelming majority of these hair products, the companies who sell them tend to be owned by Asians. Some viewers may object to the film's lack of a strong socio-political stance, but others will no doubt prefer the lighter touch, including a hilarious discussion at a barber shop about dating women with hair weaves (basically, it's "hands off the hair, pal"). --Sam Graham

HAIR: The Story of the Show That Defined a Generation is the first and only authorized history of this groundbreaking showâ€"from its original conception, to its highly influential initial run, to its numerous productions, to the 2009 sell-out Broadway production, to the upcoming 2010-11 national tourâ€"including such pivotal points as the real-life events that inspired its creators, the original off-Broadway production, the 1968 move to Broadway, and recent productions from around the world. This stand-out book features over 200 4/c photographs and a stunning removable poster.

This 4-DVD set contains the final two seasons of the HBO comedy series "Tracey Takes On..." based on characters! created and performed by Tracey Ullman. Each episode focuses ! on a par ticular subject (Sports, Love, Agents, Loss, etc.) in a sequence of hilarious scenes involving a number of Ullman-created characters.

BONUS FEATURES Includes 72 Minutes of Never- Before-Seen Shows!

Special Guests include: Hugh Laurie (House) Julie Kavner (The Simpsons) Cheech Marin (Cars, Cheech & Chong) Michael McKean (Spinal Tap, Best In Show) Billy Connolly (Boondock Saints, The Aristocrats) Jennifer Jason Leigh (Fast Times At Ridgemont High) Corbin Bernsen (Psych, Major League)

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Transcend 8 GB SDHC Class 6 Flash Memory Card TS8GSDHC6E

• Ships in Certified Frustration-Free Packaging
• Storage Capacity - 8 GB
• Technology - Secure Digital High-Capacity (SDHC)
• Compatible with all SDHC-labeled host devices (not compatible with standard SD)
• Manufacturer Warranty - 2 Years
• Ships in Amazon Frustration-Free Packaging

Fully Compatible with SDA 2.0 specification. Suitable for SDHC compliant devices, MLC flash chip with High Speed transfer rate. Perfect for highend digital devices. Please make sure your device can support SDHC format before you purchase! SDHC host devices can use both SD and SDHC memory cards.Transcend and Amazon.com have teamed up to offer this item in Amazon Frustration-Free Packaging, a recyclable, easy-to-open alternative to traditional packaging. A Frustration-Free Package comes without excess packaging materials such as wire ti! es, hard plastic "clamshell" casings, and plastic bindings. It’s designed to be opened without the use of a box cutter or knife and will protect your product just as well as traditional packaging. This item ships in its own box, without the need for an additional shipping box, and Amazon.com is continuing to work with manufacturers to make the packaging even more streamlined.

Example of Traditional vs. Frustration-Free Packaging Debris

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Black Flag Brands, Llc 8Pk Fly Paper Ribbon 34624 Flying Insect Trap

• "BLACK FLAG BRANDS" FLY PAPER RIBBON
• 8 pack
• Non-toxic.
• No harmful vapors.
• Tat fly paper ribbon.

Two gangs of robbers descend on the same bank but hearts are what may be stolen instead in flypaper a midcap crime comedy from the screenwriters of the blockbuster the hangover. Studio: Mpi Home Video Release Date: 11/15/2011 Starring: Patrick Dempsey Tim Blake Nelson Run time: 87 minutes Rating: Nr Director: Rob MinkoffSee dvd for synposis Studio: Mpi Home Video Release Date: 11/15/2011 Run time: 89 minutes Rating: PgFLYPAPER - DVD MovieFlypaper is a curious name for this shaggy-dog film about characters who continually cross paths as their lives careen out of control. Craig Sheffer is the ostensible lead, though his hotheaded, gun-toting criminal is hardly the picture's hero. He kick-starts the story by kidnapping meth lab chemist Lucy Liu, and! then hunts down his junkie girlfriend, Sadie Frost, who is now under the care of her crotchety real estate mogul guardian (Robert Loggia). In the very next room is John C. McGinley, cheating on his jealous future bride, Illeana Douglas, with Talisa Soto, a dominatrix in tight leather. The film plays out these threads as if they are destined to intertwine in some improbable climax, but instead they merely crisscross in passing, finally fraying in a soft, anticlimactic conclusion. The performers try to have some fun with their familiar parts, and writer-director Klaus Hoch tosses in a few curve balls (my favorite is the knife sticking out of Sheffer's skull like a topknot, turning the homicidal heist man into a punch-drunk pussycat), but for all his offbeat humor and funky twists, nothing in Flypaper ever sticks. --Sean AxmakerAcademy Award® winners Tom Hanks and Julia Roberts come together for a romantic and optimistic comedy about how it's never t! oo late to reinvent yourself. When he suddenly finds himself w! ithout h is long-standing blue-collar job, Larry Crowne (Hanks) enrolls at his local college to start over. There, he becomes part of an eclectic community of students and develops a crush on his teacher (Roberts). Now this simple guy will discover that when you think everything worth having has passed you by, you just might find your reason to live. Starring: Tom Hanks, Julia Roberts, Bryan Cranston, Cedric the Entertainer, Taraji P. Henson, Gugu Mbatha-Raw, Wilmer Valderrama, Pam Grier, Rita Wilson, Rob Riggle, George Takei Directed by: Tom HanksThe image of Tom Hanks tootling along on his scooter pretty much captures the spirit of Larry Crowne: this laid-back study (comedy might be too strong a term) putters along at a sensible speed, observing its world in a pleasantly upbeat way. Hanks not only stars in the film, but also directs--his first feature after That Thing You Do!--and cowrites with Nia Vardalos, so it's not a difficult leap to assume the mood of t! he pictures stems from his nice-guy persona. Larry is a recently divorced and newly unemployed guy who enrolls in college to improve his future job chances; he'd gone into the navy in his youth, instead of school. While this scenario might suggest a number of possibilities for Hanks to comment on generational angst or the economic recession of the Aughts, he pretty much focuses on Larry getting hipper and becoming attracted to his speech-class teacher, played by Julia Roberts. She's in loosey-goosey form, with a sparkling drunk scene and a few well-snapped put-downs (the latter mostly directed at her shiftless husband, Bryan Cranston). Larry has mildly happy experiences: front-lawn conversations with yard-sale neighbors Cedric the Entertainer and Taraji P. Henson, budding friendship with a cute young Gen Y'er (Gugu Mbatha-Raw) and her boyfriend (Wilmer Valderrama), and teacher's pet status with his econ prof (George Takei). For the most part, though, Hanks makes Larry Cr! owne as though conducting an experiment in how few serious! conflic ts you can put into a movie and still have it be a movie. Unfortunately, this means the film's pleasantness feels pretty slack, and while you may get a few smiles out of the situation, you won't get too many chortles. We've seen the wild man in Hanks before, and this movie could use a little of that energy. --Robert Horton8 Pack, TAT Fly Paper Ribbon, Non-Toxic, Catches All Flying Insects, No Harmful Vapors, Kills Without Chemical Insecticides.

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Bomb the System

• In the first feature length film in over 20 years to focus on graffiti, Anthony Blest (Mark Webber) is one of the most talented and notorious artists in New York City. Despite the tragic loss of his older brother during a nightly bombing foray with a graffiti crew, Anthony has the same insatiable addiction. With the other members of his crew, Justin (Gano Grills) and Kevin (Jade Yorker), Anthony p

Anthony ‘Blest’ (Mark Webber) is one of the most talented and notorious graffiti artists in New York City. Despite the tragic loss of his older brother during a nightly 'bombing' foray with a graffiti crew, Anthony has the same insatiable addiction. With the other members of his ‘crew,’ Anthony parties, shoplifts spray-paint and 'tags' virgin walls with his signature 'Blest.' He does his best to avoid run-ins with the cops and hostile rival crews, but he can’t avoid the pressure from his m! other to attend college, and from his girlfriend to leave New York with her. As tensions rise, a physical threat from the cops causes the crew to intensify their bombing excursions, calling an all out war on the city. When the inevitable confrontation happens, a tragedy results that pushes Anthony to make a decision that has even darker consequences.To "bomb" is b-boy slang meaning to create graffiti. In Adam Bhala Lough's striking debut, the "system" is the NYPD's Vandal Squad. Anthony (Mark Webber, Broken Flowers) is a 19-year-old bomber--tag name "Blest"--with plans to go legit, like Keith Haring or Jean-Michel Basquiat back in the "wild style" 1980s, who went from New York's mean streets to its most exclusive galleries. Alas, both met tragic ends. Blest, too, appears to be on the fast track to artistic success...or personal decline. He may have skills, but he's also a thief and a drug user. When he meets the politically minded Alex (Jaclyn DeSantis), it seems he! 's finally found the angel he needs to guide him in the right ! directio n. After all, he already lost his brother to the graffiti game. Alex wants him to run away with her, but that's easier said than done. Bomb the System is the kind of ambitious first feature where, despite the best of intentions, style trumps substance every time. That said, the look NYU grad Lough achieves--an impressionistic world of black skies, glowing lights, and saturated colors--helps his rather obvious message that crime doesn't pay go down with ease. The tragic tale gets a welcome boost from El-P's ominous instrumental score along with moody tracks from Schoolly D, Madvillain, and Radiohead. --Kathleen C. Fennessy

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