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"One is not born, but rather becomes a woman." Simone De Beauvoir's exquisite pronouncement on the social construction of gender in her Second Sex (1949) spoke to generations of women, and of a universal truth beyond countries and cultures. As an example of astonishing visual poignancy, "The Day I became a Woman" is the globally celebrated debut of Marziyeh Meshkini, a young Iranian filmmaker bringing her rich and diversified national cinema to bear on an enduring global concern, in a new crescendo of memorable subtlety and grace. "The Day" is repeated in three consecutive episodes-the memorial registers of childhood, adolescence, and old age-when three stages of "becoming" a woman is culturally m! anufactured and socially registered. Between Simone De Beauvoir and Marziyeh Meshkini, generations of women (and men), from all cultures around the world, will have much to learn and even more to achieve.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (films not included). Pages: 72. Chapters: Maryam, Unruled Paper, Nader and Simin, A Separation, Be Like Others, The Day I Became a Woman, Taste of Cherry, Khastegi, Santouri, Children of Heaven, Offside, Heaven's Taxi, Crimson Gold, About Elly, The Night Bus, Baran, Noora, Turtles Can Fly, Marmoulak, Two Women, Dame sobh, The Wind Will Carry Us, The Circle, No One Knows About Persian Cats, Ekhrajiha, Secret Ballot, Bab'Aziz, The White Balloon, The Color of Paradise, A Time for Drunken Horses, Kandahar, Life, and Nothing More..., Through the Olive Trees, Half Moon, Bashu, the Little Stranger, The Song of Sparrows, Please Do Not Disturb, ! A Moment of Innocence, Farewell Baghdad, Lor Girl, Blackboards! , Duet, Hamoun, Saint Mary, Shirin, The Cow, The White Meadows, Iran Zendan, David & Layla, Marooned in Iraq, Ten, Tardid, At Five in the Afternoon, Daadshah, Fireworks Wednesday, Mehman-e Maman, Captain Khorshid, Baduk, Pedar, There Are Things You Don't Know, Colors of Memory, The World Intellectuals, Hokm, Leyli o Majnun, Letters in the Wind, Hello Cinema, American Fugitive: The Truth About Hassan, The Glass House, Abadan, The Mirror, Hajji Washington, In the Alleys of Love, Time of Love, Gabbeh, Bam 6.6, Dayere Zangi, Pari, The House Is Black, Qeysar, Football Under Cover, Where Is the Friend's Home?, Son of Maryam, Beyond Fitna, Strand, The Apple, The Hunter, A Man Called Brian, Once Upon a Time, Cinema, History of Cinema, One Night, Sara, Light & Quiet, Ganj-e Qarun, Smell of Camphor, Scent of Jasmine, Stray Dogs, Homeless, The Runner, Requiem of Snow, Tales of Kish, ABC Africa, Far from Home, Barefoot to Herat, Leila, The Bread and Alley, Close-Up, 10 on Ten, Duel, The Travell! er, Ballad of Tara, The Willow Tree, Nations Cultures, Still Life, ...Va man dar khoshbakhti-e shirin be donya amadam!, The Bicyclist, Green Faces, Burnt...
  "I had no idea how to find my way around this medieval city. It was getting dark. I was tired. I didn’t speak Arabic. I was a little frightened. But hadn’t I battled scorpions in the wilds of Costa Rica and prevailed? Hadn’t I survived fainting in a San José brothel? Hadn’t I once arrived in Ireland with only $10 in my pocket and made it last two weeks? Surely I could handle a walk through an unfamiliar town. So I took a breath, tightened the black scarf around my hair, and headed out to take my first solitary steps through Sana’a."-- from The Woman Who Fell From The SkyÂ
In a world fraught with suspicion between the Middle East and the West, it's hard to believe that one of the most influential newspapers in Yemen--the desperately poor, ancestral homeland of Osama bi! n Laden, which has made has made international headlines for b! eing a t errorist breeding ground--would be handed over to an agnostic, Campari-drinking, single woman from Manhattan who had never set foot in the Middle East. Yet this is exactly what happened to journalist, Jennifer Steil.
Â
Restless in her career and her life, Jennifer, a gregarious, liberal New Yorker, initially accepts a short-term opportunity in 2006 to teach a journalism class to the staff of
The Yemen Observer in Sana'a, the beautiful, ancient, and very conservative capital of Yemen. Seduced by the eager reporters and the challenging prospect of teaching a free speech model of journalism there, she extends her stay to a year as the paper's editor-in-chief. But she is quickly confronted with the realities of Yemen--and their surprising advantages. In teaching the basics of fair and balanced journalism to a staff that included plagiarists and polemicists, she falls in love with her career again. In confronting the blatant mistreatment and strict governance of ! women by their male counterparts, she learns to appreciate the strength of Arab women in the workplace. And in forging surprisingly deep friendships with women and men whose traditions and beliefs are in total opposition to her own, she learns a cultural appreciation she never could have predicted. What’s more, she just so happens to meet the love of her life.
Â
With exuberance and bravery,
The Woman Who Fell from the Sky offers a rare, intimate, and often surprising look at the role of the media in Muslim culture and a fascinating cultural tour of Yemen, one of the most enigmatic countries in the world.
Tahir Shah Reviews The Woman Who Fell from the Sky Tahir Shah is the author of The Caliph's House and In Arabian Nights. Read his review of The Woman Who Fell from the Sky:
Just about everyone I ! meet is writing a book.
At parties and dinners they usually trap me in a corner between a potted plant and a wall, and they harangue me about a their masterwork. As a published author they expect I’ll be able to smooth the way up the long hard slope to Print-hood and success.
Most of the time I tell Would-be-writer dinner guests that they're fabulous, and that they're assured easy success, because of their rare and blatant talent. I tell them that because most people only want attention and, when they've been given it, they move on to someone else.
Sometimes, at the end of a long evening of being savaged by Would-be-writers, I lash out and hint at the truthâ€"-that the first 100,000 words that most people knock out ought to be chucked in the trash right away. It’s the dirty water that comes through pipes that have never been used.
But once in a while you come across an author who hits the mark first off in the most lively, and enlivening w! ay.
Jennifer Steil is one such writer.
It's clear to me from the first line of her sleek, intelligent and charming book, that she has done her time in that gymnasium of authorship, the newspaper world. There is nothing like it to build the craft, although the majority of writers these days seem to shun it like the plague.
As a result, Jennifer doesn't waste words. And, more importantly, she knows how to use them, like a mason selecting the right rock for a spot in a dry stone wall.
It would be enough for this first book to be a delight, which it is, but it captures something far deeper and far more poignant. Through it, she has reached the hallowed ground of the most successful travel writers. By this, I mean that she has triumphed in showing a place, revealing the sensibilities of a people and events, through anecdotes rather than direct description. It's something which most writers fail miserably at, but a one that has the ability! to depict a society in the most enticing way-â€"from the insi! de out.< /p>
I won't waste space here detailing the ins and outs of Jennifer's story in Yemen, because I coax anyone with an interest in the East-West dynamic to read her prose for themselves. But I will preface the book by saying that it is an extraordinary achievement: both eloquent and elegant, hilarious in parts but, most of all, sensible to a society so differing from her own.
Questions for Jennifer Steil
Q: How does writing a memoir compare to writing news stories?
A: Writing a memoir is in many ways much easier than writing news stories. News stories require such intensive reporting and running around, and then must be written on very tight deadlines. I had a year to write this book, and nearly another year to edit it, which felt very leisurely to me! Of course the book required research as well, but much of it was based on the dai! ly journals I kept during my first year in Yemen.
Writing a memoir is also a much lonelier business than writing news stories. When I am working as a reporter, I am constantly talking with people, either interview subjects or colleagues. Writing a book required long solitary hours in my office, and I found myself longing for someone to talk to at the water cooler!
Of course, there are also huge differences in structure. I found myself struggling with the structure of the book, whereas I can fairly easily structure news stories. I figured out the structure the book as I went along--with lots of help from my editors!
There are also some commonalities between book writing and news writing. Both memoirs and journalism require scrupulous reporting of facts. I always try to be as honest and fair as possible. A memoir, however, includes plenty of my own opinions and feelings, which news writing excludes.
Q: At one poi! nt, you were surprised to find yourself sounding patriotic as ! you expl ained American constitutional rights to Farouq. How did being an expatriate affect your sense of what it means to be an American?
A: I feel that living abroad has deepened my affection for America, while also making me more critical of certain aspects of American culture. When I left the U.S., I was furious at our government and the country in general. A dedicated Democrat, I was bitter about the last two elections and outraged by pretty much everything George W. Bush ever did. I was embarrassed to be American and pessimistic about the future of the country.
Living in Yemen did not improve my view of the Bush administration, but it did make me grateful for the many privileges of life in the US. All the things I took for granted--drinkable tap water, free speech, freedom to dress however I wanted, a variety of healthy food available everywhere, dental care, good hospitals, decent education, diversity--became more precious to me. I felt proud t! hat I came from a country where I could rant about whatever I wanted without fear of the government tossing me into jail.
I used to complain about sexism in America, which does still exist. But it is nothing compared to what women are subjected to in Yemen--and in so many other places. I feel so lucky that by the sheer accident of my birth I grew up in a country where I have had the freedom to go to school, be critical of religion, make friends with men and women, and choose a career for myself. I appreciate the fact that in the U.S. I feel that I am seen as a person with an intellect and rights, rather than as property.
That said, one thing I liked about leaving America was shedding so many THINGS. I gave away or threw out most of my possessions (aside from books and notebooks, which I stored in my parents' barn) and it was really freeing to realize that I could easily live for a year with just two suitcases worth of clothes and other thing! s. So much about life in the U.S. seems excessive from here. I! mean, d o we really need 97 flavors of chewing gum and 53 flavors of iced tea? I would go to stores and just get overwhelmed by the choices.
I have become more critical of the frivolity of American life. It's hard to get worked up about my own small problems when Yemenis are worried about the most basic things: access to water, access to schools, starvation, sickness, and war.
Q: Despite the hardships, you truly fell in love with Yemen. What was the turning point?
A: There were many little turning points--meeting and having tea with my neighbors in Old Sana'a, finally finding time to eat lunch outside of the office (it made such a difference to get away for an hour!), figuring out how to do all of my shopping and errands in Arabic, and taking time to get out of Sana'a and explore more of this gorgeous country. I am glad I came here alone, because I got such a huge sense of accomplishment from finding my own way and becoming self-suff! icient in this strange land.
Perhaps my biggest turning point came as a result of getting the newspaper on a regular schedule. Once I had achieved this Herculean feat, I was finally able to spend more time with my reporters individually. I could give them the training and attention they needed. I could also spend some time with them outside of the office. This made my job suddenly much more enjoyable. I loved spending time with my staff. They are the reason I came to Yemen, and the absolute best part of my first year here was watching their progress and forming relationships with them.
Once we were on a regular schedule, I also had more time to explore Yemen and meet people outside of work.
Q: How do you hope the book will affect readers? What stereotypes would you like to overturn?
A: So many westerners I meet in the U.S. and England have not even heard of Yemen. If they have, they only know it as a hotbed! of terrorism, which is how it's generally described in the ne! ws. News coverage of Yemen is extremely skewed--western papers rarely write about the country unless embassies are being attacked or tourists are getting blown up.
What you hardly ever read about is the amazing hospitality and generosity of the Yemeni people. The overwhelming majority of people I have met in Yemen have been kind, open-hearted, and curious about westerners. Yemenis will invite you home to lunch five minutes after meeting you. And if you go once, they will invite you back for lunch every week. This kind of immediate and sincere hospitality is not often found in the west.
I hope my book helps eliminate the stereotype that all Yemenis are crazed terrorists. I want people to come away with the understanding that Yemen has a diverse population, and the majority are peaceful people.
Q: Most books about Yemen have been written by men. What's different about your perspective as a woman--a western woman at that?
! A: Western men have pretty much zero access to women in Yemen (and Yemeni men don’t have much more!). Therefore, the books written about Yemen by men are missing half of the story--the women's story. At least one male writer I've read admits he knows nothing of the world of Yemeni women, but adds that it is his understanding that Yemeni women may have little influence on political and public life, but that they rule the home. I did not find this to be true--certainly not for most of the women I have met here. The women I know have to obey the men in their family in every sphere--they are not free to go to school, fall in love, stay out after dark, work, go out, make friends with men, etc. without permission from men.
Because I am a westerner, I am sure there is still plenty I do not know about Yemen and Yemeni women in particular. While I've become close to many women who have confided in me, I am still ultimately an outsider. Yet some women confid! e in me because I am an outsider--they tell me things they are! afraid of telling other Yemeni women, for fear of being judged.
Q: What is your next challenge as a writer and editor?
A: I would really like to write a novel. I've written one before, but I am not sure it should ever be published! So I'd like to start again. I think it would be fun to write something completely untrue for a change. Though it is tempting to write something about diplomatic life...
Photographs from The Woman Who Fell from the Sky  |  |  |
| Jennifer Steil with Rocky the Kitten | Mountains in Haraz | Jennifer and Faris |
 |  |  |
| Jennifer, Tim, and Their Bodyguards | Yemeni Minaret | A Staff Meeting |
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Three sisters bond over their ambivalence toward the approaching death of their curmudgeonly father, to whom none of them was particularly close.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 23-MAR-2004
Media Type: DVDYou've got to admire a movie that embraces womanhood as so few mainstream movies do, and
Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and ! you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film
Unstrung Heroes.
In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ! ShannonYou've got to admire a movie that embraces womanhoo! d as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who lack a coherent plan for illuminating their trio of female siblings. Despite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.
In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Wa! lter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title), becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff ShannonYou've got to admire a movie that embraces womanhood as so few mainstream movies do, and Hanging Up deserves credit for combining issues of sisterhood and elderly parent care while relying on neuroses to carry its unconventional plot. But you've also got to lament this botched "dramedy" from screenwriting sisters Nora and Delia Ephron (adapting the latter's novel) and director Diane Keaton, who ! lack a coherent plan for illuminating their trio of female sib! lings. D espite a sharp focus on Meg Ryan as the middle sister Eve--a capable Los Angeles event planner--the movie never quite seems to know where it's going, and you feel like the best scenes are merely happy accidents. In exploring the foibles of family, Keaton fared better with her earlier film Unstrung Heroes.
In addition to directing, Keaton plays the eldest sister Georgia, a celebrity magazine editor, and Lisa Kudrow is kid sister Maddy, a soap-opera actress who's nearly as self-absorbed as Georgia. They leave it to Eve to care for their declining father (Walter Matthau), a retired screenwriter who slips in and out of lucidity and is, at best, a cantankerous curmudgeon whose estranged wife (Cloris Leachman) has long since severed all family ties. This is potent material--at least it could have been--and Ryan admirably struggles to hold the film together. But it's ultimately a losing battle as the movie, so full of cell phones and disconnected people (hence the title)! , becomes disconnected itself, offering hollow humor and a few memorable moments with characters whose problems are too minimal to worry about. --Jeff Shannon"HILARIOUS. . . A CHARMING, ENTERTAINING READ."
--Los Angeles Times
"WONDERFUL. . . Eve Mozell is having a lousy day, and she hasn't even gotten past breakfast yet. Her father, a senile ex-alcoholic whose idea of a good joke is goosing his woman doctor, started phoning Eve at 6 a.m. Her teenage son, who alternately ignores and lectures her, is off to a séance. ('You know, Mom, all doors are entrances. Think about it.') And a quick glance in the mirror turns out to be a big mistake. Oh, God, is that my face? . . . I need a vacation. No. This is just me. Me at forty-four. . . . What a terrific debut."
--Newsweek
"TRUE AND TOUCHING."
--People
"Delia Ephron is blessed with the driest of wits, the tenderest of hearts, and an uncanny ear for the way people really talk. Do yourself a favor and curl u! p with Hanging Up--but unplug the phone first."
--Armistead! Maupin< br>"MOVING AND FUNNY. . . In some ways, Hanging Up is a funhouse version of King Lear."
--Newsday
From the Trade Paperback edition.Mothers, daughters, wives, friends: These are the women of The Women. Based on Clare Boothe Luce's Broadway success and the hit 1939 movie, this sparkling update (from Murphy Brown creator Diane English) set in Manhattan and featuring an all-star, all-female cast says a lot about what it means to be today's woman and all of it's funny! The story starts with beautiful, smart, accomplished Mary Haines (Meg Ryan) discovering her husband is cheating on her. It's a time when friends are needed, so Mary's gal pals (Annette Bening, Jada Pinkett Smith and Debra Messing) and mother (Candice Bergen) rally round with advice, cocktails and shopping. The Wife vs. the Other Woman (Eva Mendes): Sharpen your claws for a timeless and wonderfully witty battle.For fans of some of America's finest actresses, seeing a film with even one of the ca! st members of The Women would be a treat. But this remake of George Cukor's famed girl-trouble ensemble film features Meg Ryan, Annette Bening, Jada Pinkett Smith, Eva Mendes, Debra Messing, Cloris Leachman, Bette Midler, Carrie Fisher, Joanna Gleason, and Candice Bergen--whew!--making it a film that fans of these terrifically talented women can savor. The remake may not have the cat-itude or camp factor of the original, but so what? The cast's chemistry really shines; friendship is thicker than water, it turns out--even stronger than the ties that bind women to their men. Ryan is the good-girl Mary Haines, whose husband, she and her friends learn, is cheating on her with the stunning femme fatale Crystal (Mendes, in the Joan Crawford role)--"a spritzer" at the perfume counter. Quelle horreur! The other women rally around the hapless Mary, staging interventions, offering snappy advice, and plotting battles on behalf of their friend. But it turns out that Ryan'! s Mary isn't quite as fragile as she seems. Gimlets and girl t! alk--lot s of both--go a long way toward getting our heroine through her crisis, and onto a new stage in her life that surprises her husband and more than one of her pals. And the laughs by the appearances of Midler and Bergen, especially, are worth watching the whole film for. --A.T. Hurley
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Would you like to really get out of debt and finally be on the road to complete
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Would you like to eliminate all your credit card, car and house payments in
5 - 7 years WITHOUT bankruptcy using only the money you already make?
Sound impossible? Well it's not...
Inside this shockingly true account: "How To Finally Live Debt Free And Wealthy" multi-time bestselling author
Jonny Andrews takes you on his personal journey as he struggled with homelessness, crushing debt, harassing
collection agents and even identity theft...
You'll see how he was finally able to overcome and emerge from the ashes with the ability to
generate millions of ! dollars virtually on demand...
INSIDE YOU WILL DISCOVER:
* The REAL Secret To Becoming Debt Free And Wealthy...
* The Powerful 3 Keys To Debt Free Success! (Skip These And You Could Be In HUGE Trouble)
* How To Use The Credit Cards Own Power Against Them To Make Yourself RICH!
* Discover The "Rapid Eraser System" Which Can Actually Eliminate Up To 81% Of What You Might Owe
All WITHOUT Bankruptcy Or Expensive & Dangerous "Negotiation" Companies...
* A Powerful Debt Elimination System Which Can Have You Debt Free FAST...
* Simple Yet Effective Steps To Boosting Your Credit Score...
* How To Grow Your Wealth Using Just The Money You Make Now...
* 12 Fast, Steps To Becoming Debt Free...
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