Calle 54 ~ A Love Affair with Latin Jazz (Original Theatrical Release) [Import, All-region] (Dvd)

• This is the ORIGINAL theatrical release (exacctly as intended by the director) - acclaimed as one of the very best motion pictures ever made about music!
• "...a glorious Latin jazz documentary from Oscar-winning Spanish director Fernando Trueba (Belle Epoque) ...Sexy, too. This is one summer movie with real sizzle." ROLLING STONE
• "Lovers of Latin jazz will have a ball with 'Calle 54'..." VARIETY
• "There's not been a more infectious jazz performance screen treat since 1959's classic Jazz on a Summer's Day." MIKE CLARK, USA Today
• Import from Korea made for the USA/Canada marketplace (NTSC, All-Region)

A behind the scenes glimpse into the lives of Grammy Award winner Tito Puente and some of the greatest Latin musicians of our times! Experience the passion of Latin Jazz. It is a musical journey that captures the heart and soul of an entire culture. It is an innova! tive tapestry of sound and imagery, styles and rhythms-from samba to pambiche to flamenco. In Calle 54, Madrid-based filmmaker Fernando Trueba explores the wide and wonderful world of Latin jazz: a hybrid genre that fuses the clave, samba, flamenco, merengue, and other rhythms from Africa, the Iberian peninsula, and the Americas. The film's Spanish title takes its name from Sony Music Studios located on 54th Street in Manhattan, where a who's who of musicians were filmed and recorded. They range from Brazilian bombshell keyboardist Eliane Elias and enigmatic Argentine tenor saxophonist Gato Barbieri, to the fiery rumba group Puntilla y Nueva Generacion. The music and musicians of Cuba and Puerto Rico dominate this documentary, and the most touching scene is the emotional father-and-son reunion of Cuban pianists Bebo and Chucho Valdés, who were separated by Fidel Castro's revolution. Sadly, the film features the last onscreen appearances by the late composer-arr! anger Chico O'Farrill and the legendary timbales master! Tito P uente. Simply put, Calle 54 is a documentary that dances. --Eugene Holley Jr."The Buena Vista Social Club" guitarist Ry Cooder s celebrated album featuring the recently re-discovered talents of Cuba s foremost folk musicians sold millions of copies and earned a Grammy Award. Now Cooder teams up with acclaimed director Wim Wenders (Paris Texas) to reveal the astonishing life stories vibrant personalities and unforgettable music of the brilliantly talented but long-overlooked performers who collaborated on this now-legendary recording. Form the crumbling barrios of their native Havana to their triumphant sold-out concerts in Amsterdam and New York s Carnegie Hall it s an unforgettable deeply emotional journey into the passion pride and humanity of the artists whose music sparked a worldwide musical phenomenon!System Requirements:Starring: Ry Cooder Ibrahim Ferrer Rueben Gonzalez Eliades Ochoa Omara Portuondo and Compay Segundo. Directed By: Wim Wenders. Running! Time: 105 mins color. This film is presented in "Standard" format. Copyright: 1999 Artisan Live Entertainment.Format: DVD MOVIE Genre: DRAMA Rating:  UPC: 012236101765 Manufacturer No: 10176In 1996, composer, producer, and guitar legend Ry Cooder entered Egrem Studios in Havana with the forgotten greats of Cuban music, many of them in their 60s and 70s, some of them long since retired. The resulting album, Buena Vista Social Club, became a Grammy-winning international bestseller. When Cooder returned to Havana in 1998 to record a solo album by 72-year-old vocalist Ibrahim Ferrer, filmmaker Wim Wenders was on hand to document the occasion. Wenders splits the film between portraits of the performers, who tell their stories directly to the camera as they wander the streets and neighborhoods of Havana, and a celebration of the music heard in performance scenes in the studio, in their first concert in Amsterdam, and in their second and final concert at Carnegie H! all. The songs are too often cut short in this fashion, but Buena V ista Social Club is not a concert film. Wenders weaves the artist biographies with a glimpse of modern Cuba remembering its past, capturing a lost culture in music that is suddenly, unexpectedly revived for audiences in Havana and around the world. Wenders makes his presence practically invisible, as if his directorial flourishes or off-screen narration might deflect attention from the artists, who do a fine job of telling their own stories through interviews and music. It's a loving portrait of a master class in Cuban music, with a vital cast of aging performers whose energy and passion belie their years. --Sean AxmakerIn Calle 54, Madrid-based filmmaker Fernando Trueba explores the wide and wonderful world of Latin jazz: a hybrid genre that fuses the clave, samba, flamenco, merengue, and other rhythms from Africa, the Iberian peninsula, and the Americas. The film's Spanish title takes its name from Sony Music Studios located on 54th Street in Manhatta! n, where a who's who of musicians were filmed and recorded. They range from Brazilian bombshell keyboardist Eliane Elias and enigmatic Argentine tenor saxophonist Gato Barbieri, to the fiery rumba group Puntilla y Nueva Generacion. The music and musicians of Cuba and Puerto Rico dominate this documentary, and the most touching scene is the emotional father-and-son reunion of Cuban pianists Bebo and Chucho Valdés, who were separated by Fidel Castro's revolution. Sadly, the film features the last onscreen appearances by the late composer-arranger Chico O'Farrill and the legendary timbales master Tito Puente. Simply put, Calle 54 is a documentary that dances. --Eugene Holley Jr.In Calle 54, Madrid-based filmmaker Fernando Trueba explores the wide and wonderful world of Latin jazz: a hybrid genre that fuses the clave, samba, flamenco, merengue, and other rhythms from Africa, the Iberian peninsula, and the Americas. The film's Spanish title tak! es its name from Sony Music Studios located on 54th Street in ! Manhatta n, where a who's who of musicians were filmed and recorded. They range from Brazilian bombshell keyboardist Eliane Elias and enigmatic Argentine tenor saxophonist Gato Barbieri, to the fiery rumba group Puntilla y Nueva Generacion. The music and musicians of Cuba and Puerto Rico dominate this documentary, and the most touching scene is the emotional father-and-son reunion of Cuban pianists Bebo and Chucho Valdés, who were separated by Fidel Castro's revolution. Sadly, the film features the last onscreen appearances by the late composer-arranger Chico O'Farrill and the legendary timbales master Tito Puente. Simply put, Calle 54 is a documentary that dances. --Eugene Holley Jr.In Calle 54, Madrid-based filmmaker Fernando Trueba explores the wide and wonderful world of Latin jazz: a hybrid genre that fuses the clave, samba, flamenco, merengue, and other rhythms from Africa, the Iberian peninsula, and the Americas. The film's Spanish title take! s its name from Sony Music Studios located on 54th Street in Manhattan, where a who's who of musicians were filmed and recorded. They range from Brazilian bombshell keyboardist Eliane Elias and enigmatic Argentine tenor saxophonist Gato Barbieri, to the fiery rumba group Puntilla y Nueva Generacion. The music and musicians of Cuba and Puerto Rico dominate this documentary, and the most touching scene is the emotional father-and-son reunion of Cuban pianists Bebo and Chucho Valdés, who were separated by Fidel Castro's revolution. Sadly, the film features the last onscreen appearances by the late composer-arranger Chico O'Farrill and the legendary timbales master Tito Puente. Simply put, Calle 54 is a documentary that dances. --Eugene Holley Jr.This digital document is an article from Latino Leaders, published by Ferraez Publications of America Corp. on April 1, 2005. The length of the article is 562 words. The page length shown above is based on a ty! pical 300-word page. The article is delivered in HTML format a! nd is av ailable in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: The best music is closer than it appears.(Calle 54)(Soul of the Tango)(Abbatoir Blues/The Lyre of Orpheus)(Movie Review)(Sound Recording Review)
Author: Alexis Langagne
Publication: Latino Leaders (Magazine/Journal)
Date: April 1, 2005
Publisher: Ferraez Publications of America Corp.
Volume: 6 Issue: 2 Page: 52(1)

Article Type: Movie Review, Sound Recording Review

Distributed by Thomson GaleThe vibrant Calle 54 offers an incredible behind-the-scenes glimpse into the lives of Grammy Award winner Tito Puente and some of the greatest Latin Jazz artists of our time! Whether it's created in hot backstreet clubs or recording studios from Miami to Havan! a, the Bronx to Andalusia, the pulsating sounds of Latin Jazz capture the heart and soul of an entire culture! Showcased in a series of extraordinary performances, Latin legends use their immense musical talents to weave an innovative tapestry of sound, style and rhythm that becomes a passionate celebration of life! From the direction of the Academy-Award®-winning Belle Epoch -- featured artists includes the late "godfather of Latin music" Titi Puente, barefoot Brazilian pianist Elaine Elias, Argentinean tenor sax great Gato Barbieri, Paquito D'Rivera and many more you don't want to miss!

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Boogeyman 3

• Deleted Scenes
• Creating the Boogeyman featurette
• Deconstructing the Deaths featurette
• Boogey in Bulgaria featurette
• English and French with subtitles in English, French and Spanish.

Every culture has one - the horrible monster fueling young children's nightmares. But for Tim, the Boogeyman still lives in his memories as a creature that devoured his father 16 years earlier. Is the Boogeyman real? Or did Tim make him up to explain why his father abandoned his family? The answer lies hidden behind every dark corner and half-opened closet of his childhood home - a place he must return to and face the chilling unanswered question does the Boogeyman really exist?Since movies began, thrillers have depended on a door just slightly ajar, with a narrow slit of darkness that promises to hold your worst fears. In the first five minutes of Boogeyman, a young boy's fa! ther is violently sucked into a closet, scarring the boy so badly that he grows up to be blank-faced Barry Watson (7th Heaven), who plays Tim, an editor at a newspaper or a magazine or something. Tim, to impress his girlfriend's parents, wears a coat and tie but doesn't shave his sexy stubble. A premonition of his mother's death drives him back to his childhood home so he can exorcise his phobias. From there...well, there's lots of atmospheric cinematography, regular jolts of loud music, and many quick edits. What actually happens is pretty obscure and, really, not worth unobscuring. The obsession with doors and doorknobs verges on the avant-garde. Also featuring a brief glimpse of Lucy Lawless (Xena: Warrior Princess), wearing some truly terrible old-age makeup. --Bret FetzerFrom Ghost House Pictures, the makers of Boogeyman, 30 Days of Night and The Messengers comes this unrated terrifying addition to the Boogeyman series. When college sophomore Sarah Morris witnesses the all! eged sui cide of her best friend, it sets into motion a series of horrific events that cause Sarah to fear the supernatural entity known as the Boogeyman. As she tries to convince the rest of her dorm that the Boogeyman does exist, the evil force grows stronger and her friends begin to pay the price. Now Sarah must stop this ultimate evil before the entire campus falls prey because the question isn't whether or not the Boogeyman is going to get them...it's HOW and WHEN!

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Hanging Hooks Key Rack Garden Frog - Regal Art #5030

• Extensive Handcrafting Is Put Into Each Piece.
• Special Painting Techniques Creates A 'Patina' Effect.
• Use Of Richly Colored Automobile Paint Creates Quality, Durable Finish.
• Mix And Match Items In Same Or Different Themes.

Drugs.  Extortion.  Slavery.  Organized crime is fighting for a hold on John Rebus's peaceful Scotland.  And when Rebus rescues a young Bosnian girl forced into prostitution, he breaks a policeman's golden rule to never get personally involved in a case.  Add to that the hunt for an elderly Nazi accused of slaughtering an entire French village, and Rebus wonders just how evil humans can be.  Until his own daughter is mortally injured as a gangland warning for him to back off.  Then even a dedicated cop like Rebus might make a deal with the devil to find the culprit.  Not for justice.  For revenge. 

Ian Rankin's ninth b! ook about Inspector John Rebus of the Edinburgh police is so full of story that it seems about to explode into shapeless anarchy at any moment. What keeps it from doing so is Rankin's strong heart and even stronger writing skills. When a Bosnian prostitute refuses to testify against a crime boss who has threatened her family, he says this about the cops trying to pressure her: "Silence in the room. They were all looking at her. Four men, men with jobs, family ties, men with lives of their own. In the scheme of things, they seldom realised how well off they were. And now they realised something else: how helpless they were."

Rebus is trying to help the young woman--renamed Candice by the young, slick, brutal thug Tommy Telford, who is into everything from drugs and prostitution to aiding a Japanese business syndicate in acquiring a local golf course--because she's about the same age and physical aspect as his own daughter, Sammy. He's also conducting the ! investigation of a suspected Nazi war criminal, an old man wh! o spends his time tending graves in Warriston cemetery. "A cemetery should have been about death, but Warriston didn't feel that way to Rebus. Much of it resembled a rambling park into which some statuary had been dropped," Rankin writes with the icy clarity of cold water over stone.

Add to this Rebus's involvement with an imprisoned crime boss in a plan to bring Telford down; his continuing battle with drink; the strong possibility that people high up in the British government don't want the old Nazi exposed; danger to Sammy and her journalist lover because of her father's work; and a somewhat strained metaphor of Edinburgh as a new Babylon and you have an admittedly large pot of stew. But Rankin's high art keeps it all bubbling and rich with flavor. Others in the Rebus series include his 1997 Edgar Award-nominated Black and Blue, as well as Hide and Seek, Knots and Crosses, Let It Bleed, Mortal Causes, Strip Jack, and ! Tooth and Nail. --Dick AdlerA manual of ideas on creating displays of flowers in hanging baskets, window boxes, raised beds and arches. It includes a practical section with details on supports, containers, composts, accessories, cultivation and maintenance.This Hanging Hooks Key Rack Garden Frog - Regal Art #5030 will be at home in your office or home, bathroom, by your door, in your kitchen, your bedroom or guestroom. Matching other items in Regal's line you can incorporate these hooks into your unique decorating theme. Or just use separately as a great accent. These hooks are very sturdy: the smaller racks are perfect for keys, leashes, utensils and lighter weight items; the larger racks hold clothing towels, pots/pans, hats and heavier items; the individual hooks can be placed wherever a hook is handy and can be used for whatever. Just about any place you need hooks is the perfect place for these fun-themed hooks.

Regal Art & Gift is the leading manufa! cturer in the Gift & Garden Industry. Owners Bill and Audrey C! ostello started the company in 1992 by introducing unique decorative Home & Garden products. Over the past 17 years their exclusive quality product offerings and always-fresh designs have helped the company become the leader in this industry.

Size: 7 x 1.25 x 5.75H Inches -- Color: Metal

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Fighter Pilot: The Memoirs of Legendary Ace Robin Olds

• 100% cotton
• Wash cold; dry low
• Imported
• Listed in men’s sizes
• By Level Up Wear

This stylish heather grey gaming T-shirt from LVLP features a full front screen of the "Rock Star Cammy" design inspired by Street Fighter IV.

Robin Olds was many things to many people. To his West Point football coach he was an All American destined for the National College Football Hall of Fame. To his P-38 and P-51 wartime squadrons in WWII he was the aggressive fighter pilot who made double ace and became their commander in nine short months. For the pioneers of the jet age, he was the wingman on the first jet demo team, a racer in the Thompson Trophy race, and the only U.S. exchange officer to command an RAF squadron. In the tabloid press he was the dashing flying hero who married the glamorous movie star. For the current crop of fighter pilots he is best known as! the leader of the F-4 Wolfpack battling over North Vietnam. For cadets at the Air Force Academy he was a role model and mentor. He was all of those things and more.

Here’s Robin’s story in his own words and gleaned from the family and friends of his lifetime. Here’s the talent and learning, the passion and leadership, the love and disappointments of his life. Few men have written on the tablets of aviation history with such a broad and indelible brush. Olds was a classic hero with vices as well as virtues, a life writ large that impacted many.

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